Initially published by Penn State Press in 1965, Catherine Enggass’s translation of Filippo Baldinucci’s Life of Bernini was the first English-language edition of ...
Continue Reading →Issued in conjunction with a 2016 exhibition of this sculptor rendered by Italian Baroque sculptor Gian Lorenzo Bernini (1598-1680) and his father, Pietro ...
Continue Reading →Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture ...
Continue Reading →Bernini and Pallavicino, the artist and the Jesuit cardinal, are closely related figures at the papal courts of Urban VIII and Alexander VII, ...
Continue Reading →With the aid of over 180 photographs, this book studies what unites and separates sculptors across the centuries. It looks at the masters ...
Continue Reading →The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, ...
Continue Reading →The first volume of Rome in the Age of Bernini (1585-1644) was published in 1982. In the present volume I continue the story ...
Continue Reading →The idea of writing this book first came to me when I was collaborating with the late professor Erik Sjöqvist on a revision ...
Continue Reading →Gian Lorenzo Bernini (1598–1680), sculptor, architect, painter, and playwright, was the most influential artist of seventeenth-century Rome and, indeed, one of the leading ...
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