Bataille, Lascaux: Or, the Birth of Art
With photographs by Hans Hinz and an epilogue by Rita Bischof. At a time when the animal and plant world, the ‘wild life’, seem more ...
Continue Reading →Jullien, The Great Image Has No Form or On the Nonobject through Painting
In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical ...
Continue Reading →Celan, The Meridian Speech
Originally presented as a speech to the German Academy for Language and Poetry on the occasion of Celan’s acceptance of the Georg Büchner Prize for ...
Continue Reading →van Tuinen, Art History after Deleuze and Guattari
Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts ...
Continue Reading →Sallis, Shades Of Painting at the Limit
“[Sallis’s] ideas are presented in a singular, scholarly, remarkable, captivating, conceptually rigorous, dense, and deep manner…. Highly recommended.” —Choice “This fascinating book by one of ...
Continue Reading →Lotz, The Art of Gerhard Richter
The Art of Gerhard Richter: Hermeneutics, Images, Meaning presents the first philosophical investigation of, arguably, one of the most popular and important painters working today, ...
Continue Reading →Hui, Art and Cosmotechnics
In light of current discourses on AI and robotics, what do the various experiences of art contribute to the rethinking of technology today? Charting a ...
Continue Reading →Danto, After the End of Art
A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ...
Continue Reading →Belting, Looking through Duchamp’s Door
In this new book by Hans Belting, three essays are united by one theme―the persistence of perspective after its supposed demise in the hands of ...
Continue Reading →Belting, Florence and Baghdad
The use of perspective in Renaissance painting caused a revolution in the history of seeing, allowing artists to depict the world from a spectator’s point ...
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