Bacchi, Pietro and Gian Lorenzo Bernini
Issued in conjunction with a 2016 exhibition of this sculptor rendered by Italian Baroque sculptor Gian Lorenzo Bernini (1598-1680) and his father, Pietro ...
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Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture ...
Continue Reading →Kessel, The Social Lives of Paintings
In sixteenth-century Venice, paintings were often treated as living beings. As this book shows, paintings attended dinner parties, healed the sick, made money, ...
Continue Reading →Moore, Beautiful Sublime
‘Sublime’ and ‘Milton’ – no other pairing is used more frequently in early discussions of the author of Paradise Lost: Addison finds Milton’s ...
Continue Reading →Wittkower, Sculpture
With the aid of over 180 photographs, this book studies what unites and separates sculptors across the centuries. It looks at the masters ...
Continue Reading →Van Eck, Art Agency and Living Presence
Throughout history and around the world, people have interacted with works of art as if they were living beings rather than static objects. ...
Continue Reading →Shearman, Only Connect
John Shearman makes a plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions ...
Continue Reading →Price, Historical and Philosophical Issues in the Conservation of Cultural Heritage
This is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed ...
Continue Reading →Montagu, Roman Baroque Sculpture
Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to ...
Continue Reading →Montagu, The Aesthetics of Roman Eighteenth Century Sculpture
Few art historians would dispute that Jennifer Montagu is one of the most distinguished scholars of Italian (mostly Roman) Baroque sculpture. Besides her ...
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