Xenotheka
Xenotheka
  • Home
  • Collaboration
  • On Xenotheka
  • Folders
  • Categories
    • _English Language
    • _French Language
    • _German Language
    • _Italian Language
    • Architectural Theory
    • Architecture and Literature, Symbolism
    • Architecture + Philosophy
    • Artists in Rome
    • Art Theory
    • Bernini
    • Christian Iconography
    • France
    • Empire, Architecture + Catholicism
    • Italy
    • Literary Theory
    • Historiography
    • Low Countries (Benelux)
    • Modern
    • Monuments + Conservation
    • Portrait, Sculpture, Materiality
    • Popes, Vatican, Rome
    • Post-Modern
    • Renaissance
    • Rome
    • Sources
    • 17th Century
    • 1750-1850
    • 20th Century
    • 21th Century
  • ask.alice-ch3n81
  • _English Language
  • Art Theory
  • Historiography

Soussloff, The Absolute Artist

  • By: Xenotheka
  • August 30, 2018
  • 0
  • 8
  • 143

 
 

The myth of the artist-genius has long had a unique hold on the imagination of Western culture. Iconoclastic, temperamental, and free from the constraints of society, these towering figures have been treated as fixed icons regardless of historical context or individual situation. In The Absolute Artist, Catherine M. Soussloff challenges this view in an engaging consideration of the social construction of the artist from the fifteenth century to the present.

Traditional art history has held that the concept of the artist-genius arose in the Enlightenment. Soussloff disputes this, arguing that earlier writings—artists’ biographies written as long ago as the early fifteenth century-determined and continue to determine our understanding of the myth of the artist. Moving chronologically, Soussloff shifts from fifteenth-century Florence to nineteenth-century Germany, the birthplace of the discipline of art history in its academic form, and considers the cultural historiography of Aby Warburg and Jacob Burckhardt. She discusses intellectual life in early-twentieth-century Vienna, demonstrating the rich cross-fertilization that occurred between art history and psychoanalysis, and scrutinizes the historical situation of Jewish art historians and psychoanalysts in Vienna in the 1930s, considering the impact of exile and an assimilationist ethic on the discourse of art history.

Soussloff concludes with a groundbreaking analysis of one of the earliest and most persistent elements of biography, the “artist anecdote,” demonstrating that it is essential in the construction of the figure of the artist. Singular in its breadth and ambition, The Absolute Artist is the first book to analyze the artist’s biography as a rhetorical form and literary genre rather than as an unassailable source of fact and knowledge.

 
 

Download

Soussloff_The Absolute Artist.pdf
Soussloff_The Absolute Artist.txt
Soussloff_The Absolute Artist.html
Soussloff_The Absolute Artist.jpg
Soussloff_The Absolute Artist.zip

 
 

← Previous Article
Taws, The Politics of the Provisional
→ Next Article
Spuybroek, The Sympathy of Things

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recently added books

Duncan, The James Bond Archives

Duncan, The James Bond Archives

January 11, 2021
An, Roman, 10 Creation Myths

An, Roman, 10 Creation Myths

January 11, 2021
Mack, The Sea: A Cultural History

Mack, The Sea: A Cultural History

January 6, 2021
Mirrlees, Collected Poems

Mirrlees, Collected Poems

January 6, 2021
Mitchell, Daoist Nei Gong: The Philosophical Art of Change

Mitchell, Daoist Nei Gong: The Philosophical Art of Change

January 6, 2021

Categories

  • _English Language 961
  • _French Language 53
  • _German Language 65
  • _Italian Language 53
  • _Latin Language 42
  • 1750-1850 64
  • 17th Century 76
  • 17th culture and other cities in Italy 5
  • 19th century 45
  • 20th Century 150
  • 21th Century 75
  • Ancient Literature 36
  • Architectural Theory 216
  • Architecture + Philosophy 28
  • Architecture and Literature, Symbolism 29
  • Art 6
  • Art Theory 96
  • Artificial Intelligence 1
  • Artists in Rome 20
  • Autobiography 1
  • Bernini 19
  • Catalogue 1
  • Christian Iconography 18
  • Christianity 7
  • Cinema 1
  • City 44
  • Design 29
  • Digital Architectonics 13
  • Drawings 39
  • Economy 13
  • Empire, Architecture + Catholicism 13
  • England & British Isles 23
  • Evolution 2
  • Fashion 5
  • Feminism 11
  • Film Festival 1
  • France 43
  • Gender and Sexuality Studies 4
  • Gothic 13
  • Greek, Roman Library 62
  • Historiography 31
  • Humanism 10
  • India 5
  • Italy 76
  • Landscape Architecture 8
  • LGBT 1
  • Libraries 0
  • Linguistics 1
  • Literary Criticism 2
  • Literary Theory 62
  • Literature 53
  • Low Countries (Benelux) 14
  • Mathematics 32
  • Medicine 1
  • medieval library 32
  • medieval literature 7
  • Modern 48
  • Monuments + Conservation 27
  • Mythology 13
  • Philosophy 210
  • Physics 11
  • Politics 46
  • Popes, Vatican, Rome 27
  • Portrait, Sculpture, Materiality 56
  • Post-Modern 21
  • Programming 1
  • Psychology 14
  • Religion 2
  • Renaissance 77
  • Roman Architecture 19
  • Rome 118
  • Schinkel 8
  • Science 35
  • Sociology 12
  • Sources 56
  • Spain 10
  • Switzerland 47
  • Uncategorized 67
  • Urbanism 52

Follow Us

Most liked books

Duncan, The James Bond Archives

Duncan, The James Bond Archives

January 11, 2021
An, Roman, 10 Creation Myths

An, Roman, 10 Creation Myths

January 11, 2021

Recent Comments

     

    Categories

    • _English Language 961
    • _French Language 53
    • _German Language 65
    • _Italian Language 53
    • _Latin Language 42
    • 1750-1850 64
    • 17th Century 76
    • 17th culture and other cities in Italy 5
    • 19th century 45
    • 20th Century 150
    • 21th Century 75
    • Ancient Literature 36
    • Architectural Theory 216
    • Architecture + Philosophy 28
    • Architecture and Literature, Symbolism 29
    • Art 6
    • Art Theory 96
    • Artificial Intelligence 1
    • Artists in Rome 20
    • Autobiography 1
    • Bernini 19
    • Catalogue 1
    • Christian Iconography 18
    • Christianity 7
    • Cinema 1
    • City 44
    • Design 29
    • Digital Architectonics 13
    • Drawings 39
    • Economy 13
    • Empire, Architecture + Catholicism 13
    • England & British Isles 23
    • Evolution 2
    • Fashion 5
    • Feminism 11
    • Film Festival 1
    • France 43
    • Gender and Sexuality Studies 4
    • Gothic 13
    • Greek, Roman Library 62
    • Historiography 31
    • Humanism 10
    • India 5
    • Italy 76
    • Landscape Architecture 8
    • LGBT 1
    • Libraries 0
    • Linguistics 1
    • Literary Criticism 2
    • Literary Theory 62
    • Literature 53
    • Low Countries (Benelux) 14
    • Mathematics 32
    • Medicine 1
    • medieval library 32
    • medieval literature 7
    • Modern 48
    • Monuments + Conservation 27
    • Mythology 13
    • Philosophy 210
    • Physics 11
    • Politics 46
    • Popes, Vatican, Rome 27
    • Portrait, Sculpture, Materiality 56
    • Post-Modern 21
    • Programming 1
    • Psychology 14
    • Religion 2
    • Renaissance 77
    • Roman Architecture 19
    • Rome 118
    • Schinkel 8
    • Science 35
    • Sociology 12
    • Sources 56
    • Spain 10
    • Switzerland 47
    • Uncategorized 67
    • Urbanism 52
    • Home
    • Collaboration
    • On Xenotheka
    • Folders
    • Categories
    • ask.alice-ch3n81

    Copyright © Xenotheka