Villa, Upon Entropy
In his 1979 essay The Postmodern Condition, Jean-François Lyotard stated that the introduction of the computer and information technology at large define not only a ...
Continue Reading →Kermode, Romantic Image
For the past four decades Frank Kermode, critic and writer, has steadily established himself as one of the most brilliant minds of his generation. Questioning ...
Continue Reading →Coccia, Sensible Life: A Micro-ontology of the Image
We like to imagine ourselves as rational beings who think and speak, yet to live means first and foremost to look, taste, feel, ...
Continue Reading →Derrida, Copy Archive Signature
This book makes available for the first time in English and for the first time in its entirety in any language an important ...
Continue Reading →Lyons, Antiquity & Photography: Early Views of Ancient Mediterranean Sites
Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and ...
Continue Reading →Freedberg, The Power of Images
This learned and heavy volume should be placed on the shelves of every art historical library. It makes accessible, for the first time ...
Continue Reading →Gaylard, Hollow Men: Writing, Objects, and Public Image in Renaissance Italy
This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century ...
Continue Reading →Lynch, The Image of the City
What does the city’s form actually mean to the people who live there? What can the city planner do to make the city’s ...
Continue Reading →Connelly, The Sleep of Reason
Art historians have in the past narrowly defined primitivism, limiting their inquiry to examples of direct stylistic borrowing from African, Oceanic, or Native ...
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