Levy, Baroque and the Political Language of Formalism (1845 Р1945): Burckhardt, W̦lfflin, Gurlitt, Brinckmann, Sedlmayr
This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of ...
Continue Reading →Kottman, The Insistence of Art
Philosophers working on aesthetics have paid considerable attention to art and artists of the early modern period. Yet early modern artistic practices scarcely ...
Continue Reading →Vasari, Vasari on Technique
Giorgio Vasari (1511–1571) is well known for his celebrated work on the lives of the Renaissance artists. But not many people know that ...
Continue Reading →Bell, Art History in the Age of Bellori
Giovanni Pietro Bellori was one of the most important intellectuals of seventeenth-century Italy. Although best known today for his art criticism and biographies ...
Continue Reading →Baxandall, Giotto and the Orators
This highly acclaimed volume examines the one firm bridge between the art of the humanists and the painters of the early Italian Renaissance: ...
Continue Reading →Kessel, The Social Lives of Paintings
In sixteenth-century Venice, paintings were often treated as living beings. As this book shows, paintings attended dinner parties, healed the sick, made money, ...
Continue Reading →Sohm, Style in the Art Theory of Early Modern Italy
Style is one of the oldest and most powerful analytic tools available to art writers. Despite the importance of style as an artistic, ...
Continue Reading →Lavin, Past-Present
A fascinating exploration of art from the Renaissance to modern times by one of America’s most distinguished art historians. Focusing on specific masterpieces ...
Continue Reading →Wittkower, Born under Saturn
Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history ...
Continue Reading →Van Eck, Art Agency and Living Presence
Throughout history and around the world, people have interacted with works of art as if they were living beings rather than static objects. ...
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