Hauser, The Social History of Art, Volume II
First published in 1951, Arnold Hausers work presents an account of the development and meaning of art from its origins in the Stone ...
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De Architectura, the ten books by the Roman architect Vitruvius, survives as the only complete architectural treatise from antiquity. Its influence from the ...
Continue Reading →Harrison, Wood, Gaiger, Art in Theory 1648-1815
Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French ...
Continue Reading →Harbison, Reflections on Baroque
From its beginnings in the seventeenth century, the Baroque embraced the whole of Catholic Europe and infiltrated Protestant England, Orthodox Russia and even ...
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In Expositions, Philippe Hamon leads us on an engaging intellectual stroll through the spaces and representations of the nineteenth-century French metropolis. Inspired by ...
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Described by Kenneth Clark as ‘one of the most brilliant books of art criticism that I have ever read’, Art and Illusion is ...
Continue Reading →Gillgren, Performativity and Performance in Baroque Rome
A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of ...
Continue Reading →Galli, Travel through the Fifteenth Century
An imaginary thread winds through the hills of Siena and its countryside. A guiding thread connecting the art of the fifteenth century with ...
Continue Reading →Freedberg, The Eye of the Lynx
Years ago, David Freedberg stumbled across a group of drawings by the little-known Academy of Linceans, a seventeenth-century Italian group that took as ...
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Although the work of Pierre Francastel (1900-1970) has long carried the label “sociology of art,” it bears little resemblance to anything conventionally sociological. ...
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